|Sonate Nr.7 C-Moll Op.30,2 Für Klavier Und Violine|
|A1||Allegro Con brio||7:39|
|Sonate Nr.8 G-Dur Op.30,3 Für Klavier Und Violine|
|B2||Tempo Di Menuetto, Ma Molto Moderato E Grazioso||7:51|
Complete your Ludwig van Beethoven, Arthur Grumiaux, Claudio Arrau collection.
Sonate N. C-Moll O. 0,2 Für Klavier Und Violine. A1. Allegro Con brio. Composed By – Ludwig van Beethoven. Piano – Claudio Arrau. Violin – Arthur Grumiaux. Other Versions (1 of 1) View All. Cat.
Sonate Nr. 2 A-dur Op. 12, 2 Für Violine Und Klavier. A4. 1. Satz: Allegro Vivace. 3. Satz: Allegro Piacevole. Sonate Nr. 8 G-dur Op. 30, 3 Für Violine Und Klavier. B3. Satz: Allegro Assai.
Arrau and Grumiaux recorded only six of the Beethoven violin sonatas, and here is the first integral release of this half dozen. Disc: 1. Sonata No. 1 in D Major for Violin and Piano, O. 2 N. Sonata N. in A minor for Violin and Piano, O. 4. in F Major for Violin and Piano, O. 4 'Spring'. 5. 7 in C minor for Violin and Piano, O. 0 N. 6. 8 in G Major for Violin and Piano, O. In competing sets, Stern-Istomin also shine most in 1 and 7 which they had recorded earliest-with a gap between the other eight. Argerich is quite similar to Haskil. And in his own way Arrau is irreplaceable. Try the second movements of Opus 12/1 and 30/2 for examples. 5 people found this helpful.
This album was released on the label ETERNA (catalog number 8 26 020). This album was released in 1970 year. German Democratic Republic (GDR). Download mp3. Length of track.
Sonate Für Klavier Und Violine Nr. 9 A-Dur, Op. 47 "Kreutzer-Sonate". Adiagio Sostenuto - Presto. A2. Andante Con Variazioni.
Thankfully, Philips has at last righted this wrong by releasing all six on this two-disc set so that instead of merely the Op. 12/2, Op. 23, Op. 24, and Op. 30/3, American listeners can finally hear Grumiaux and Arrau's Op. 12/1 and Op. 30/2 as well. They will not be disappointed. As his longtime fans know, Grumiaux was an ideal violinist with a peerless combination of immaculate intonation and impeccable technique. Beyond that, Grumiaux's tone was smooth and clear, his vibrato tight and sweet, and his interpretations wholly objective.