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Public Enemy - Muse Sick-N-Hour Mess Age album mp3

Public Enemy - Muse Sick-N-Hour Mess Age album mp3

Performer: Public Enemy
Title: Muse Sick-N-Hour Mess Age
Released: 1994
Country: US
Style: Conscious
Category: RAP
Album rating: 4.7
Votes: 888
Size MP3: 1927 mb
Size FLAC: 1312 mb
Size WMA: 1981 mb
Other formats: AHX DTS WMA AU XM AIFF AAC

Tracklist Hide Credits

Mess Side
A1 Whole Lotta Love Goin On In The Middle Of Hell
A2 Give It Up
A3 What Side You On?
A4 Bedlam 13:13
A5 What Kind Of Power We Got?
A6 So Whatcha Gone Do Now?
A7 White Heaven / Black Hell
A8 Race Against Time
Age Side
B1 Aintnuttin Buttersong
B2 Live And Underground (Pt. 1 & 2)
B3 Thin Line Between Law & Rape
B4 I Ain't Mad At All
B5 Death Of A Carjacka
B6 I Stand Accused
B7 Godd Complexx
Featuring – Umar Bin Hassan
B8 Hitler Day

Notes

Includes lyric sheet.

Barcode and Other Identifiers

  • Barcode: 7 314-523362-4 8

Other versions

Category Artist Title (Format) Label Category Country Year
314 523 362-1 Public Enemy Muse Sick-N-Hour Mess Age ‎(2xLP, Album, gat) Def Jam Recordings 314 523 362-1 US 1994
523 362-1 Public Enemy Muse Sick-N-Hour Mess Age ‎(2xLP, TP) Def Jam Recordings, Island Records 523 362-1 UK 1994
523 362-4 Public Enemy Muse Sick-N-Hour Mess Age ‎(Cass, Album) Def Jam Recordings 523 362-4 Europe 1994
523 362-2 Public Enemy Muse Sick-N-Hour Mess Age ‎(CD, Album) Def Jam Recordings 523 362-2 US 1994
314 523 362-4 Public Enemy Muse Sick-N-Hour Mess Age ‎(Cass, Album) Def Jam Recordings 314 523 362-4 Canada 1994

Tracklist Hide Credits

1 Whole Lotta Love Goin On In The Middle Of Hell
Backing Vocals – TetEngineer [Recording And Mix] – Nick SansanoMusic By – Gary G-Wiz, Studdah ManProducer – Carl Ryder, Gary G-WizProducer [Asst. Producer] – Studdah ManTurntables [Dj Work] – Kamron, Terminator XWritten-By – C. Ridenhour*, Gary G-Wiz, Studdah Man
3:12
2 Theatrical Parts
Engineer [Recording And Mix] – Nick SansanoProducer – Bomb Squad Production*Written-By – C. Ridenhour*
0:28
3 Give It Up
Engineer [Recording And Mix] – Nick SansanoMusic By – Gary G-WizMusician – Paul Reisch, Tom CostelloProducer – Carl Ryder, Gary G-WizProducer [Asst. Producer] – Studdah ManWritten-By – C. Ridenhour*, Gary G-Wiz, Studdah ManWritten-By [Contains An Interpolation Of "Opus De Soul"] – A. Isbell*, M. Thomas*
4:31
4 What Side You On?
Co-producer – Kerwin YoungDrums [Drummer] – Nathaniel Townsley IIIEngineer [Recording And Mix] – Gerry ComitoMixed By [Mix Consultant] – Kerwin Young AKA Sleek*Producer – Bomb Squad Production*Turntables [Dj Work] – Terminator XWritten-By – C. Ridenhour*, K. Young*
4:07
5 Bedlam 13:13
Co-producer – Larry (Panic) Walford*Engineer [Recording And Mix] – Gerry ComitoMixed By [Mix Consultant] – Kerwin (Sleek) Young*Producer – Bomb Squad Production*Turntables [Dj Work] – Terminator XWritten-By – C. Ridenhour*, L. Walford*
4:06
6 Stop In The Name...
Co-producer – Larry (Panic) Walford*Engineer [Recording And Mix] – Jimmy O'Neil*Producer – Bomb Squad Production*Written-By – C. Ridenhour*, L. Walford*
1:21
7 What Kind Of Power We Got?
Co-producer – Kerwin Young AKA Sleek*Drums [Drummer] – Nathaniel Townsley IIIEngineer [Recording And Mix] – Gerry ComitoPerformer [Samples From "(for God's Sake) Give More Power To The People" Performed By] – The Chi-LitesProducer – Flavor FlavTurntables [Dj Work] – Kevin BooneWritten-By – K. Young*, W. Drayton*Written-By [Samples From "(for God's Sake) Give More Power To The People" Written By] – E. Record*
5:30
8 So Whatcha Gone Do Now?
Engineer [Recording And Mix] – Nick SansanoMusic By – Gary G-Wiz, Studdah ManProducer – Carl Ryder, Gary G-WizProducer [Asst. Producer] – Studdah ManWritten-By – C. Ridenhour*, Gary G-Wiz, Studdah Man
4:41
9 White Heaven / Black Hell
Engineer [Recording And Mix] – Gerry ComitoPerformer [Contains Elements From "(girl) I Love You" Performed By] – The TempreesProducer – Bomb Squad Production*Written-By – C. Ridenhour*Written-By [Contains Elements From "(girl) I Love You"] – C. Hampton*, J. Bridges*, E.L. Nixon*
1:06
10 Race Against Time
Engineer [Recording And Mix] – Nick SansanoMusic By – Gary G-Wiz, Studdah ManProducer – Carl Ryder, Gary G-WizProducer [Asst. Producer] – Studdah ManTurntables [Dj Work] – KamronWritten-By – C. Ridenhour*, Gary G-Wiz, Studdah Man
3:21
11 They Used To Call It Dope
Engineer [Recording And Mix] – Nick SansanoProducer – Bomb Squad Production*Written-By – C. Ridenhour*
0:29
12 Aintnuttin Buttersong
Co-producer – Easy Mo BeeDrums [Drummer] – Nathaniel Townsley IIIEngineer [Recording And Mix] – Gerry ComitoMixed By [Mix Consultant] – Kerwin YoungPerformer [Samples From "Do Your Dance" Performed By] – Rose RoyceProducer – Bomb Squad Production*Turntables [Dj Work] – Terminator XWritten-By – C. Ridenhour*, O. Harvey*Written-By [Samples From "Do Your Dance" Written By] – N. Whitfield*, Dwight Turner*
4:23
13 Live And Undrugged Pt. 1 & 2
Co-producer – Kerwin Young AKA Sleek*Drums [Drummer] – Nathaniel Townsley IIIEngineer [Recording And Mix] – Gerry ComitoProducer – Bomb Squad Production*Turntables [Dj Work] – Terminator XWritten-By – C. Ridenhour*, K. Young*
5:54
14 Thin Line Between Law & Rape
Co-producer – Larry (Panic) Walford*Engineer [Asst. Mix] – Liz M.Engineer [Mix] – Dino ZervosEngineer [Recording] – Gerry ComitoMixed By [Mix Consultant] – Kerwin YoungProducer – Bomb Squad Production*Turntables [Dj Work] – Kevin BooneWritten-By – C. Rochester, C. Ridenhour*, L. Walford*
4:45
15 I Ain't Mad At All
Backing Vocals [Backgrounds] – Bemshi, Norma Jean Wright, Paulette McWilliamsCoordinator [Production Coordinator] – Felicia NewsomeEngineer [Asst. Mix] – Danny Madorski*Engineer [Asst. Recording] – Layng MartineEngineer [Mix] – Rod HuiEngineer [Recording] – Bob Musseo*Horns – "Chops"*Horns ["Chops" =] – Bill Mobley, Darryl Dixon, David Watson*Producer – Keith ShockleeProgrammed By – Keith ShockleeWritten-By – C. DeHaney*, K. Shocklee*, R. Doo, The Alias K.B., W. Drayton*
3:24
16 Death Of A Carjacka
Engineer [Recording And Mix] – Gerry ComitoProducer – Bomb Squad Production*Turntables [Dj Work] – Terminator XWritten-By – C. Ridenhour*Written-By [Samples From "Hold On I'm Coming" Written By] – David Porter, Isaac Hayes
2:00
17 I Stand Accused
Co-producer – Easy Mo BeeEngineer [Recording And Mix] – Gerry ComitoMixed By [Mix Consultant] – Kerwin YoungProducer – Bomb Squad Production*Turntables [Dj Work] – Kevin BooneWritten-By – C. Ridenhour*, K. Shocklee*, O. Harvey*
3:56
18 Godd Complexx
Backing Vocals [Backgrounds] – Carl DeHaney, Keith Shocklee, Umar Bin HassanCoordinator [Production Coordinator] – Felicia NewsomeEngineer [Asst. Mix] – Danny Madorski*Engineer [Asst. Recording] – Imad MansourEngineer [Mix] – Rod HuiEngineer [Recording] – Bob Musseo*Producer – Keith ShockleeProgrammed By – Keith ShockleeWritten-By – A. Pudim*Written-By [Is An Arrangement Of "White Man's Got A God Complex" Written By] – Alafia Pudim
3:40
19 Hitler Day
Co-producer – Larry (Panic) Walford*Drums [Drummer] – Nathaniel Townsley IIIEngineer [Recording And Mix] – Gerry ComitoMixed By [Mix Consultant] – Kerwin YoungProducer – Bomb Squad Production*Turntables [Dj Work] – Kevin BooneWritten-By – C. Ridenhour*, L. Walford*
4:27
20 Harry Allen's Interactive Superhighway Phone Call To Chuck D
Co-producer – Kerwin (Sleek) Young*Engineer [Recording And Mix] – Gerry ComitoProducer – Bomb Squad Production*Written-By – C. Ridenhour*, H. Allen*, K. Young**
2:55
21 Living In A Zoo (Remix)
Engineer [Asst.] – J-TechniqueEngineer [Recording And Mix] – Gary G-WizRemix – Gary G-Wiz, Studdah Man
3:38

Companies, etc.

  • Phonographic Copyright (p) – Rush Associated Labels
  • Copyright (c) – Rush Associated Labels
  • Copyright (c) – Def Jam Recordings
  • Licensed To – Phonogram
  • Licensed To – Mercury
  • Produced For – Suburban Funk, Inc.
  • Produced For – Bomb Squad Production
  • Made By – EDC, Germany – 50980751
  • Recorded At – The Hit Factory
  • Recorded At – Sonic Sound Studios
  • Recorded At – Kala Studios
  • Recorded At – Power Station
  • Recorded At – Greenpoint Studios
  • Recorded At – Suburban Funk Studio
  • Mixed At – The Hit Factory
  • Mixed At – Sonic Sound Studios
  • Mixed At – Kala Studios
  • Mixed At – Power Station
  • Mixed At – Greene St. Recording
  • Mixed At – Suburban Funk Studio
  • Mixed At – Sorcerer Sound
  • Mixed At – Power Play Studios
  • Mastered At – The Hit Factory
  • Published By – Suburban Funk, Inc.
  • Published By – Bring the Noize, Inc.
  • Published By – Def American Songs
  • Published By – Irving Music, Inc.
  • Published By – Sleek Mixes Music
  • Published By – Walford Music
  • Published By – Unichappell Music, Inc.
  • Published By – Stripe Music
  • Published By – EMI April Music Inc.
  • Published By – Bee Mo Easy Music
  • Published By – Warner-Tamerlane Publishing Corp.
  • Published By – May 12th Music, Inc.
  • Published By – Pronto Music
  • Published By – Shocklee Music
  • Published By – Douglas Music Corporation

Credits

  • Artwork [Inside Artwork] – Larry Stroman
  • Artwork [Logo Work] – Kelvin Fonville
  • Backing Vocals [Background Vocalists] – Akilah Watkins, Andre Guilty, Errol Nazareth, Grandell Thompson aka The Rippa*, Harry Allen, Jamel Bazemore aka Doo Dirt*, Jean Victor, Jeannette Harrod, Jesse Smith*, Mike Williams*, Prince Yellordy, The Punk Barbarians*, Raymond Mattry, Sean Chaplin aka Renegade*, Sheila Cabllero, Victor Brownlee aka Bamma Blackwood*
  • Bass – Flavor Flav, Kerwin (Sleek) Young*
  • Bass [Rebel Bass 1] – Harry Allen
  • Bass [Rebel Bass 2 (East Coast)] – Yvonne Davis
  • Bass [Rebel Bass 3 (West Coast)] – Davey D Cook
  • Bass [Rebel Bass 4 (International)] – Errol Nazareth
  • Booking [Booking Info] – William Morris Agency, NY*
  • Co-producer – Easy Moe Bee*, Flavor Flav, Gary "G-Wiz"*, Kerwin (Sleek) Young - Witch Doctor Of The Beats*, Larry (Panic) Walford*, Studdah Man
  • Congas – John B Smooth
  • Coordinator – The Alias K.B.
  • Coordinator [Album Coordinator] – The Alias K.B.
  • Cover [Back Cover Art] – Michael Bair
  • Cover [Cover Art] – Mark Texeria
  • Design – The Drawing Board
  • Drums – Nathaniel (Scramjet) Townsley III*
  • Executive-Producer, Arranged By, Sequenced By – Gary G-Wiz (tracks: 1, 3, 8, 10, 21), The Bomb Squad (tracks: 2, 4 to 7, 9, 11 to 20)
  • Guitar, Effects – Gerry (You Got It) Comito*
  • Keyboards – Flavor Flav
  • Legal [Legal Representation] – Ron Sweeney, Esq.*
  • Management – Malik Management, Rush Management*
  • Management [Business Representation] – Vernon J. Brown
  • Mastered By – Tom Coyne
  • Mastered By [Mastering Sequencing] – Roger Talkov
  • Mixed By [Mix Consultants] – Kerwin (Sleek) Young*
  • Performer – The Interrogators
  • Performer [Cut Executioner] – Terminator X
  • Performer [Sparkplug] – Flavor Flav
  • Performer [The Rhyme Animal] – Chuck D
  • Photography By – Hamza Abdullah
  • Scratches [Scratch Artist] – Kamron, Kevin (DJ Extraordinaire) Boone*, Terminator X
  • Voice [Voiceover] – MItch Faulkner

Notes

Ⓟ 1994 Rush Associated Labels
Ⓒ 1994 Rush Associated Labels
Ⓒ 1994 Def Jam Recordings (taken from last booklet page)
Rush Associated Labels exclusively licensed to Phonogram/Mercury excluding UK & USA.

Trackinfo:
1: Ⓒ 1994 Suburban Funk, Inc./Bring The Noize, Inc./Def American Songs (BMI). Produced for Suburban Funk and Bomb Squad Production. Assisted producer for Suburban Funk. Recorded and mixed at The Hit Factory Studio, NYC.
2: Recorded and mixed at Sonic Sound Studios, L.I., NY.
3: Ⓒ 1994 Suburban Funk, Inc./Bring The Noize, Inc./Def American Songs/Irving Music Inc. (BMI). Produced for Suburban Funk and Bomb Squad Production. Assisted producer for Suburban Funk. Recorded and mixed at The Hit Factory Studio, NYC.
4: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/ Sleek Mixes Music (BMI). Recorded and mixed at Sonic Sound Studios, L.L., NY.
5: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/Walford Music (BMI). Recorded and mixed at Sonic Sound Studios, L.I., NY.
6: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/Walford Music (BMI). Recorded and mixed at Kala Studio, GA.
7: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/Sleek Mixes Music/Unichappell Music, Inc. (BMI). Recorded and mixed at Sonic Sound Studios, L.I., NY.
8: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/Sleek Mixes Music/Unichappell Music, Inc. (BMI). Produced for Suburban Funk and Bomb Squad Production. Assisted producer for Suburban Funk. Recorded and mixed at Sonic Sound Studios, L.I., NY.
9: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/Irving Music Inc./Stripe Music (BMI). Recorded and mixed at Sonic Sound Studios, L.I., NY.
10: Ⓒ 1994 Suburban Funk, Inc./Bring The Noize, Inc./Def American Songs (BMI). Produced for Suburban Funk and Bomb Squad Production. Assisted producer for Suburban Funk. Recorded at Power Station, NY. Mixed at Sorcerer Sound, NYC, NY.
11: Recorded and mixed at Sonic Sound Studios, L.I., NY.
12: Ⓒ 1994 Bring The Noize, Inc./Def American-Songs (BMI)/EMI April Music Inc./Bee Mo Easy Music (ASCAP)/Warner-Tamerlane Pub. Corp./May 12th Music (BMI). All right admin. by Warner-Tamerlane Pub. Corp. Recorded and mixed at Sonic Sound Studios, L.I., NY.
13: Ⓒ 1994 Bring The Noize, Inc./Def American-Songs/Sleek Mixes Music (BMI). Recorded and mixed at Sonic Sound Studios, L.I., NY.
14: Ⓒ 1994 Bring The Noize, Inc./Def American-Songs/Reading/Walford Music (BMI). Recorded at Sonic Sound Studio, L.I., NY. Mixed at Power Play Studio, L.I., NY.
15: Ⓒ 1994 Bring The Noize, Inc./Shocklee Music/Def American Songs (BMI). Recorded at Greene Point Studios, Brooklyn, NY. Mixed at Green Street Studios, NYC, NY.
16: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/Pronto Music/Irving Music (BMI). All rights admin. by Warner-Tamerlane Pub. Corp. Recorded and mixed at Sonic Sound Studio, L.I., NY.
17: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/Shocklee Music (BMI)/EMI April Music Inc./Bee Mo Easy Music (ASCAP). Recorded and mixed at Sonic Sound Studio, L.I., NY.
18: Ⓒ 1971 Douglas Music Corp. (BMI). Recorded at Green Point Studios, Brooklyn, NY. Mixed at Green Street Studios, NYC, NY.
19: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/Walford Music (BMI). Recorded and mixed at Sonic Sound Studio, L.I., NY.
20: Recorded and mixed at Sonic Sound Studio, L.I., NY.
21: Ⓒ 1994 Bring The Noize, Inc./Def American Songs/Suburban Funk, Inc. (BMI). Recorded and mixed at Suburban Funk Studio, L.I., NY.

Barcode and Other Identifiers

  • Barcode (Text): 7 314-523362-2 4
  • Barcode (Scanned): 731452336224
  • Matrix / Runout (x4 Logo): UNIVERSAL
  • Matrix / Runout: 07314 523 362-2 04 + 50980751 MADE IN GERMANY BY C
  • Mastering SID Code: IFPI LV27
  • Mould SID Code: IFPI 0115
  • Rights Society: BIEM / STEMRA
  • Label Code: LC 0268
  • Distribution Code: PG 900

Other versions

Category Artist Title (Format) Label Category Country Year
314 523 362-1 Public Enemy Muse Sick-N-Hour Mess Age ‎(2xLP, Album, gat) Def Jam Recordings 314 523 362-1 US 1994
523 362-1 Public Enemy Muse Sick-N-Hour Mess Age ‎(2xLP, TP) Def Jam Recordings, Island Records 523 362-1 UK 1994
523 362-4 Public Enemy Muse Sick-N-Hour Mess Age ‎(Cass, Album) Def Jam Recordings 523 362-4 Europe 1994
523 362-2 Public Enemy Muse Sick-N-Hour Mess Age ‎(CD, Album) Def Jam Recordings 523 362-2 US 1994
314 523 362-4 Public Enemy Muse Sick-N-Hour Mess Age ‎(Cass, Album) Def Jam Recordings 314 523 362-4 Canada 1994


Redirected from Muse Sick-N-Hour Mess Age). Muse Sick-n-Hour Mess Age is the fifth studio album by American hip hop group Public Enemy, released on August 23, 1994, by Def Jam Recordings. Its title is a stylization of the phrase "music in our message" (or "music and our message"). The album debuted at number 14 on the . Billboard 200 chart, selling 56,000 copies in its first week.

Muse Sick N Hour Mess Age. Don't let the obtuse title throw you off (an inverted reference to the O'Jays' "Message in our Music"). This is a great Public Enemy album " to the roaring thrash guitar of "Hitler Day", this album packs a mega-dose wallop of hip-hop fury. This time around, Chuck D and the Bomb Squad crew bring more live instruments into the mix: Guitars, bass, drums & keyboards

Public Enemy started out as opening act for the Beastie Boys during the latter's Licensed to Ill popularity, and in 1987 released their debut album Yo! Bum Rush the Show. Mainstream success (1987–1994). Public Enemy's single from the album was "Harder Than You Think". Four years after How You Sell Soul. in January 2011, Public Enemy released the album Beats and Places, a compilation of remixes and "lost" tracks. In July 2012, on UK television an advert for the London 2012 Summer Paralympics featured a short remix of the song "Harder Than You Think". Muse Sick-n-Hour Mess Age (1994). There's a Poison Goin' On (1999). Revolverlution (2002).

21 Songs, 1 Hour 11 Minutes. Muse Sick-n-Hour Mess Age Public Enemy. Listen on Apple Music.

Muse Sick-N-Hour Mess Age (1994). Album by Public Enemy. Show 'Em Whatcha Got by Public Enemy (1988). Bring the Noise by Public Enemy (1987). She Watch Channel Zero?! by Public Enemy (1988). see 5 more connections. Living in a Zoo (Remix). is a remix of. The 13th Message/Livin' in a Zoo by Public Enemy (1993). Spinning Wheel by Lonnie Smith (1970). Caught, Can We Get a Witness? by Public Enemy (1988).

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