Performer: Julian "Cannonball" Adderley
Title: Somethin' Else
Country: US
Style: Hard Bop
Category: Jazz
Album rating: 4.8
Votes: 342
Size MP3: 1635 mb
Size FLAC: 1304 mb
Size WMA: 1314 mb
Other formats: ADX MP2 WAV DTS MMF MP4 APE
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Jazz Virtuosi: Cannonball Adderley. Julian 'Cannonball' Adderley With Nat Adderley, Junior Mance, Sam Jones and Jimmy Cobb. The Early Tracks Remastered.
Davis returned the favor in March of 1958, appearing as a sideman on Adderley's all-star quintet date for Blue Note, and the resulting session is indeed Somethin' Else. Both horn players are at their peak of lyrical invention, crafting gorgeous, flowing blues lines on the title tune and "One for Daddy-O," as the rhythm team (Hank Jones, Sam Jones, Art Blakey) creates a taut, focused groove (pianist Hank Jones' sly, intuitive orchestrations are studies of harmonic understatement). Adderley's lush, romantic improvisation on "Dancing in the Dark" is worthy.
Cannonball Adderley-Somethin Else – Dancing In The Dark. Cannonball Adderley, Miles Davis, Hank JOnes, Sam Jones, Art Blakey – Somethin Else. Cannonball Adderley 1958 Somethin Else – 04 One For Daddy-O. Cannonball Adderley – Somethin' Else. Cannonball Adderley – Bangoon 1958. Cannonball Adderley – Somethin Else. Cannonball Adderley – Autumn Leaves 1958. Cannonball Adderley - Somethin Else (1958) – One for Daddy-O.
Rmst ed. Reissued, Remastered. When alto saxophonist Cannonball Adderley culled together this quartet, he grabbed three champions from seemingly disparate schools to complement his flinty solos: Miles Davis, the king of cool; Art Blakey, the thundering force of hard bop; Hank Jones, a veteran of swing; and Sam Jones, a versatile bassist adaptable to nearly any setting.
Somethin' Else is a jazz album by saxophonist Julian "Cannonball" Adderley, released on Blue Note Records in 1958. It is notable for the presence and prominent contributions of Miles Davis in one of his few recording dates for Blue Note. The album was recorded during Adderley's membership in the Miles Davis Sextet of 1958, and is one of the few post-1955 appearances of Miles Davis as a sideman