Tracklist Hide Credits

Companies, etc.

• Printed By – HofmannDruck

Credits

• Conductor – Bernhard Paumgartner (tracks: B8), Ferenc Fricsay (tracks: A3, A4, A7, B4, B5, B6), Fritz Lehmann (tracks: B7), Karl Richter (tracks: A1, A2, B1, B2), Leopold Ludwig (tracks: B3)
• Orchestra – Camerata Academica Des*, Münchener Bach-Orchester (tracks: A1, A2, B1, B2), RIAS Symphonie-Orchester Berlin (tracks: B4, B5, B6), Radio-Symphonie-Orchester Berlin (tracks: A3, A4, A7), Symphonie-Orchester Des Bayerischen Rundfunks (tracks: B3, B7)

Barcode and Other Identifiers

• Matrix / Runout (Side A runout): 0175 529 S1=2
• Matrix / Runout (Side B runout): 0175 529 S2=2

Other versions

Nehmt Meinen Dank KV 383. Composed By – Wolfgang Amadeus Mozart. Companies, etc. Printed By – Fleischmann & Jaeger. This version printed by Fleischmann & Jaeger. Nehmt Meinen Dank - Porträt Einer Grossen Sängerin printed by Hofmanndruck. Other (On back cover): Nr. 11 006. Other Versions (1 of 1) View All. Cat.

℗ 2019 Jube Classic. Singers of the Century: Maria Stader Sings Mozart (2019 Remaster). Nehmt meinen Dank, K. 383 Wolfgang Amadeus Mozart; Maria Stader; Kölner chester; Lorin Maazel. Total Playing Time 53:28. 48 kHz, 24-bit PCM – Jube Classic Studio Masters. Tracks 1-5, 7-10 – 4. kHz, 24-bit PCM, mastered in 48 kHz, 24-bit Track 6 – 16-bit kHz, 16-bit PCM, mastered in 48 kHz, 24-bit. For Your Consideration More ▸. Peter And The Wolf In Hollywood Alice Cooper; r; Alexander Shelley.

Maria Stader (November 5, 1911 – April 27, 1999) was a Hungarian-born Swiss lyric soprano, known particularly for her Mozart interpretations. Stader was born in Budapest, Austria-Hungary, on November 5, 1911, as Maria Molnár. During and after World War I, the price of food in Budapest was so high that it was difficult for her parents to support their five children.

Publication date 1950-06-21. The recording on the other side of this disc: Per pieta bell idol mio K78. Identifier 78 383 stader-maria.

Maria Stader says of the Reinhart Choir that it sang accurately and with purity but that its Bach interpretations contained certain mannerisms resulting from Reinhart’s characteristic phrasing and accentuation. Walther Reinhart’s commercial recordings are very rare. One of his few commercial recordings is of Bach’s Magnificat in D (BWV 243) made in the early 1950’s for The Musical Masterpiece Society. Participating artists were Maria Stader, Elsa Cavelti, Ernst Haefliger and Hermann Schey, with the Winterther Mixed Choir, the Reinhart Choir, Zürich and the Winterthur State Orchestra.

Book's title: Die Schlachten Friedrichs des Grossen : Führung, Verlauf, Gefechts-Szenen, Gliederungen, Karten Günter Dorn, Joachim Engelmann. Library of Congress Control Number: 87162933 //r90.