Vocals, Cymbal [Bowed Cymbals], Noises [Flies, Atmos], Drums, Electric Guitar – Oren Ambarchi
|2||It Took The Night To Believe
Guitar [Axe], Effects [Subs] – Mystik Fogg InvokatorLead Guitar, Effects [Subs] – TaoiseachVocals, Lyrics By – Wrest
|3||Cursed Realms (Of The Winterdemons)
Bass [Icy Inverted Crosswinds Upon Four String Zamboni] – Mystik Fogg InvokatorLyrics By – AbbathNoises [Glacial Winds] – Mathias SchneebergerNoises [Whiteout] – John WiesePerformer [Grail, Eclipse], Lead Guitar – MK Ultra BlizzardVocals – Malefic
Drums [Caveman Drums] – Oren AmbarchiGuitar, Bass, Effects [Feedback] – Caveman SkillzGuitar, Guitar [Riffs] – Mystik Fogg Invokator
Bass [Decimator Bass], Vocals [Crypt Calls] – MK Ultra BlizzardElectronics [Casket Electronics] – John WieseGuitar [Tundra Guitar] – Malefic Guitar, Pedalboard [Taurus] – Mystik Fogg InvokatorLyrics By – Dead
|6||Cry For The Weeper
Electric Guitar, Horns, Woodwind [Wood] – Oren AmbarchiGuitar, Keyboards – Malefic , Mystik Fogg InvokatorGuitar, Synthesizer [Virus] – SOMA*
Bass – Drone Slut, Mystik Fogg InvokatorElectric Guitar, Bells [Tubular], Cymbal [Cymbals], Gong – Oren AmbarchiSynthesizer [Virus] – Count Von Schneeberger*Vocals [Calls From Beyond The Grave], Lyrics By – Malefic
|SUNN50, sunn50||Sunn O)))||Black One (CD, Album)||Southern Lord, Southern Lord||SUNN50, sunn50||Europe||2005|
|SUNN50||Sunn O)))||Black One (2xLP, Album, Ltd, Sol)||Southern Lord||SUNN50||US||2005|
|SUNN50||Sunn O)))||Black One (2xLP, Album, Ltd, RE, Sil)||Southern Lord||SUNN50||Europe||2013|
|SUNN50||Sunn O)))||Black One (2xLP, Album, Ltd, RE, Whi)||Southern Lord||SUNN50||US||2013|
|SUNN50||Sunn O)))||Black One (2xLP, Album, Ltd, Pic, RP)||Southern Lord||SUNN50||US||2006|
Black One is the fifth album by Sunn O))). It is a combination of both experimental and traditional Sunn O))), utilizing many guest musicians, including black metal musicians Malefic and Wrest from Xasthur and Leviathan, respectively. The band supposedly also went so far as to lock the claustrophobic Malefic in a casket to record the vocals on "Báthory Erzsébet".
Love hate relationships demark an indisoluble conflict of self interests, when some things are likeable but at the same time undesirable, when this happens there are only two options, to deal with the difficulty implied in the ambiguity or else to retire altogether from trying it. That's where Sunn o))) exists. In a difficult relationship with the listener. Whereas these listeners represent the judging minority, not the fanatic majority.
black one is a very dark, gloomy, and atmospheric album, but i cant see much to it aside from that. some of the songs went on for way too long without progressing, and the vocals were drowning under the heavy guitars. Or consider a donation?
Sixth album from the doom metal duo nearly matches their ferocious live power, and features assistance from noise icon John Wiese and experimental guitarist and percussionist Oren Ambarchi. People fixate, but there's more to Sunn 0))) than robes and the Earth and AMP-derived name. Not only does the band's dark, heavy, theatrically composed sixth album, Black One, transcend the duo's previous material, overall it's one of the strongest records of the past year: Greg Anderson and Stephen O'Malley have unleashed a doom'n'gloom masterpiece
So, when Black One was released, it came as a bit of a surprise that the band managed to delicately enhance all of the best aspects of their music and release it in a comprehensive package, devoid of highly experimental tracks like White2's "bassAliens" or self-referential pieces (prior to Black One, five studio album tracks had "O)))" in. their title). As one might suspect from taking a glance at the album name and cover, Black One isn't a very hopeful record. It knows exactly where it's going at gets there efficiently, but it's an unrelentingly gloomy record that pulls no punches. The lightest song here is the brief intro "Sin Nanna", in which instrumentalist Oren Ambarchi handles a flock of instruments, from buzzing guitars to pounding drums to sweeping atmospherics. By itself, the track is less than substantial, but it does an excellent job of setting the mood for the rest of the album.
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