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Reinhard Keiser / Gemischter Chor Zweisimmen / Jörg Ewald Dähler - Markus Passion album mp3

Reinhard Keiser / Gemischter Chor Zweisimmen / Jörg Ewald Dähler - Markus Passion album mp3

Performer: Reinhard Keiser
Title: Markus Passion
Style: Classical
Category: Classical
Album rating: 4.9
Votes: 251
Size MP3: 1284 mb
Size FLAC: 1970 mb
Size WMA: 1854 mb
Other formats: RA AC3 DXD MIDI TTA VOX AUD

Tracklist

A Sonata (Chor) - Recitativo - Aria - Recitativo - Choral - Recitativo - Recitativo - Aria
B Recitativo - Recitativo - Chor - Recitativo - Chor - Recitativo - Chor - Recitativo - Aria - Sinfonia - Recitativo - Aria - Recitativo - Chor - Choral
C Sinfonia - Recitativo - Chor - Recitativo - Aria - Recitativo - Aria - Recitativo - Aria - Recitativo - Chor - Recitativo - Chor - Recitativo - Aria - Recitativo - Chor - Recitativo - Choral
D Aria - Aria - Sinfonia - Recitativo - Aria - Recitativo - Choral - Chor

Notes

Libretto in gatefold jacket.

Artist: Reinhard Keiser, Gemischter Chor Zweisimmen Title: Markus Passion Genre: Choral Type: Used - LP Label: Claves Catalog ID: D 273/274 Country: Switzerland Our ID: 148046. View other items by this Artist View other items on this Label.

Reinhard Keiser: Markus-Passion Reinhard Keiser: The Passion according to Saint Mark Reinhard Keiser: The St. Mark Passion. Brauns: Markus-Passion. Kirchenchor Langnau, Gem. Chor Zweisimmen, Instrumental Ensemble.

a b Jörg Ewald Dähler (conductor). Erstaufnahme: Markus Passion Reinhard Keiser (1674-1739). Michaela Plattenteich. Meisterhaft: Bachs verschollene Passion in St. Josef" in Westdeutsche Zeitung, 21 April 2014. Alois J. Hochstrasser, conductor. Markus-Passion: Reinhard Keiser 1674–1739. Gert Sell, conductor. Reinhard Keiser 1674–1739: Passion nach dem Evangelisten Markus Mixtur (1973). Reinhard Keiser: Markus-Passion. Christian Brembeck, conductor.

Reinhard Keiser: Markus-Passion. 1. Part 1. No. Sonate. Kreuzige ihn, No. 23. Choral. Parthenia Baroque, Christian Brembeck, Parthenia Vocal.

Reinhard Keiser, Bernese Choirs & Orchestra, Georg Jelden, Juliette Bise, Margrit Conrad, Ulrich Gilgen.

The St Mark Passion (German: Markus-Passion), BWV 247, is a lost Passion setting by Johann Sebastian Bach, first performed in Leipzig on Good Friday, 23 March 1731 and again, in a revised version, in 1744. Though Bach's music is lost, the libretto by Picander is still extant, and from this, the work can to some degree be reconstructed. Unlike Bach's earlier existing passions (St John Passion and St Matthew Passion), the Markus-Passion is probably a parody-it recycles previous works.

Hansheinz Schneeberger, Jörg Ewald Dähler, Rolf Looser & Walter Kägi. 3. Musicalisches Opfer, BWV 1079: Canon a 2. Hansheinz Schneeberger, Ilse Mathieu & Jörg Ewald Dähler. 4. Musicalisches Opfer, BWV 1079: Canon a 2 violini in unisono. Hansheinz Schneeberger, Ilse Mathieu, Jörg Ewald Dähler & Rolf Looser. 5. Musicalisches Opfer, BWV 1079: Canon a 2 per motum contrarium. Hansheinz Schneeberger, Jörg Ewald Dähler, Peter-Lukas Graf & Walter Kägi. 6. Musicalisches Opfer, BWV 1079: Canon a 2 per augmentationem, contrario motu. Musicalisches Opfer, BWV 1079: Fuga canonica in epidiapente. Hansheinz Schneeberger & Jörg Ewald Dähler. 9. Musicalisches Opfer, BWV 1079: Ricercare a 6. Christine Daselhofer, Ernst Gerber & Jörg Ewald Dähler.

Peter Van Heyghen, Les Muffatti, Vox Luminis. The Brockes-Passion can be considered the archetype of the German Passion oratorio. As such, it served as a model and source of inspiration for famous later masterpieces, enjoying uninterrupted popularity throughout the 18th century when no less than 11 composers, including Handel and Telemann, set it to music. The superb version by Reinhard Keiser (1674-1739) is not only the first but also adheres most closely to the great rhetorical power and rich changes of affects of the poet’s text

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