Tracklist

A	Listen To The Magnificent Lowrey Organ
B	Listen To The Magnificent Lowrey Organ

Notes

"Here on one record is a condensed showcase of some of the music you can enjoy on the Lowrey Organ." (Taken from back sleeve.)
For Non-Commercial Use Only

Barcode and Other Identifiers

• Matrix / Runout: ZCTV 63569-IKO
• Matrix / Runout: ZCTV 63570-IKO

During the 1960s and 1970s, Lowrey was the largest manufacturer of electronic organs in the world. In 1989, the Lowrey Organ Company produced its 1,000,000th organ. Up until 2011, modern Lowrey organs were built in LaGrange Park, Illinois. In 2011, it was announced that production of a few models was to be moved to Indonesia.

Many Moods of Moses is the eighth studio album by Beenie Man. The album was nominated for a Grammy Award and includes the hit singles "Who Am I", "Oysters & Conch" and "Foundation". Arp - Performer, Primary Artist, Vocals (Background). Buju Banton - Arranger, Guest Artist, Performer, Primary Artist, Composer, Producer. Beenie Man - Arranger, Primary Artist, Producer, Vocals, Vocals (Background). Jason Bloomfield - Engineer. Mark "Stumpy" Brown - Engineer. Leroy Champaign - Artwork, Design, Layout Design.

Perhaps the most distinctive feature is the ability to range from the slightest sound to the most powerful, plein-jeu impressive sonic discharge, which can be sustained in time indefinitely by the organist. For instance, the Wanamaker organ, located in Philadelphia, USA, has sonic resources comparable with three simultaneous symphony orchestras. Lowrey was the leading manufacturer of this type of organs in the smaller (spinet) instruments. In the '60s and '70s, a type of simple, portable electronic organ called the combo organ was popular, especially with pop, Ska (in the late 1970s and early 1980s) and rock bands, and was a signature sound in the pop music of the period, such as The Doors and Iron Butterfly. The most popular combo organs were manufactured by Farfisa and Vox.

This is impossible in a spinet, due to the alternating orientation of the jacks. For an exception to this point, see "spinettone", below. Spinet by Zenti from 1637, now in the Musical Instrument Museum in Brussels. The angling of the strings also had consequences for tone quality: generally, it was not possible to make the plucking points as close to the nut as in a regular harpsichord.

The pre-psychedelic Moody Blues were represented in England by this album, which is steeped in American soul. The covers include songs by James Brown, Willie Dixon, and Chris Kenner, plus the chart-busting "Go Now" (originally recorded by Bessie Banks), interspersed with a brace of originals by lead singer/guitarist Denny Laine and keyboardist Mike Pinder, and one Jeff Barry/Ellie Greenwich number, "I've Got a Dream.

Unknown Artist (4 Albums, 31 Tracks). TAGGED AS: unknown artist. Antique Phonograph Music Program 08/25/2009. United Consumer Fuckers, Prepare For Revolution. 01. Unknown Artist - We Just Have To Make Up For That (00:10). 02. Unknown Artist - Cutting Down A Tree (00:16). 03. Unknown Artist - Population And Resources (01:33).

If you'd like to hear it as the artist/producer intended then you could listen to it at similar levels to those at which records are often mixed  . Do the same thing again a few minutes later. When you get to the point when you are struggling to hear certain parts of the music, you have just started to actively listen more acutely, and rather than your ears trying to shut down the sound to protect themselves, they will open up. Now turn up a little bit, and voila! The ideal level is reached. Of course this can vary based on the level of the sound floor - if you are on a busy road and a car is often louder than the music, then find your happy medium

Many lead sheets are created specifically for songs that don’t contain lyrics. When a lead sheet does contain lyrics, most will detail the words for the song’s main melody or hook as a guide. A vocalist may simply learn the remaining words and sing the key, knowing they’ll be all set for the chorus and memorable parts when they come around. Since the notes are different, it too is written out to let us know. The next four measures (9-12) conclude and we are brought to the B section of the song which plays from measures 13 to the end and the repeat.