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Brian Eno - David Byrne - My Life In The Bush Of Ghosts album mp3

Brian Eno - David Byrne - My Life In The Bush Of Ghosts album mp3

Performer: Brian Eno
Title: My Life In The Bush Of Ghosts
Released: 1981
Country: US
Style: Experimental, Funk, Avantgarde
Category: Electronic / Rock / Soul, Funk
Album rating: 4.3
Votes: 926
Size MP3: 1714 mb
Size FLAC: 1992 mb
Size WMA: 1378 mb
Other formats: WAV AIFF ADX DXD MPC MP4 MP3

Tracklist

A1 America Is Waiting 3:36
A2 Mea Culpa 3:45
A3 Regiment 3:56
A4 Help Me Somebody 4:18
A5 The Jezebel Spirit 4:55
B1 Qu'ran 3:46
B2 Moonlight In Glory 4:19
B3 The Carrier 3:30
B4 A Secret Life 2:30
B5 Come With Us 2:38
B6 Mountain Of Needles 2:35

Companies, etc.

  • Marketed By – WEA Records Limited
  • Printed By – Image Printing

Credits

  • Producer – Brian Eno, David Byrne
  • Written-By – Brian Eno, David Byrne

Notes

Marketed by WEA Records Limited, P.O.Box 2915, Auckland, New Zealand

Other versions

Category Artist Title (Format) Label Category Country Year
SRK 6093 Brian Eno - David Byrne Brian Eno - David Byrne - My Life In The Bush Of Ghosts ‎(LP, Album, Win) Sire SRK 6093 US 1981
PRO 301705 Brian Eno & David Byrne Brian Eno & David Byrne - My Life In The Bush Of Ghosts ‎(CD, Album, RM, Promo) Nonesuch PRO 301705 US 2006
2302 100 Brian Eno & David Byrne Brian Eno & David Byrne - My Life In The Bush Of Ghosts ‎(LP, Album) EG, Polydor 2302 100 Germany 1981
CD 6093 Brian Eno - David Byrne Brian Eno - David Byrne - My Life In The Bush Of Ghosts ‎(CD, Album, RE, RP) Sire CD 6093 Canada Unknown
XM5S-6093 Brian Eno - David Byrne Brian Eno - David Byrne - My Life In The Bush Of Ghosts ‎(Cass, Album, Dol) Sire XM5S-6093 Canada 1981


My Life in the Bush of Ghosts is the first album by Brian Eno and David Byrne, released in February 1981. It integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. It was recorded prior to Eno and Byrne's work on Talking Heads' album Remain in Light (1980), but sample clearance delayed its release by several months.

Brian Eno/David Byrne. My Life In The Bush Of Ghosts. WMG, UMG (от лица компании "Warner Catalog and O/H"); UMPG Publishing, Warner Chappell, PEDL, UBEM, BMI - Broadcast Music In. ASCAP, LatinAutor - Warner Chappell, LatinAutor - UMPG, LatinAutor, UMPI" и другие авторские общества (4).

A pioneering work for countless styles connected to electronics, ambience, and Third World music, My Life in the Bush of Ghosts expands on the fourth-world concepts of Hassell/Eno work with a whirlwind 45 minutes of worldbeat/funk-rock (with the combined talents of several percussionists and bassists, including Bill Laswell, Tim Wright, David van Tieghem, and Talking Heads' Chris Frantz). The songs on My Life in the Bush of Ghosts present myriad elements from around the world in the same jumbled stew, without regard for race, creed, or color. As such, it's a tremendously prescient record for the future development of music during the 1980s and '90s.

Byrne and Eno’s 1981 collaboration was considered a ground breaking record, but Getintothis’ Jono Podmore questions how ethical the project’s dabbling with African, Jamaican and Middle Eastern sampling really was. My Life in the Bush of Ghosts is the title of a book by Nigerian novelist Amos Tutuola. The first African book I ever read was My Life in the Bush of Ghosts – because the album had introduced the title to me. Before long I was reading Ben Okri. David Byrne and Brian Eno in the studio. If you look at those artist’s work the lines get more blurred and the moral picture more complex. When is appropriation playing homage?

As David Byrne describes in his liner notes, My Life in the Bush of Ghosts placed its bets on serendipity: "It is assumed that I write lyrics (and the accompanying music) for songs because I have something I need to 'express. I find that more often, on the contrary, it is the music and the lyric that trigger the emotion within me rather than the other way around  . An album that's built on serendipity- on Brian Eno fooling around with a new type of drum machine, on syncing the hook in a tape loop to a chorus, on finding the right horrors on the radio- can't score 100%. But even if you cut it some slack, crucial parts of the album don't sound as intriguing today as they once did- namely, all of the voices.

September 13, 2017 In News. The debut sonic union from two of music’s greatest experimenters. David Byrne and Brian Eno’s first album collaboration, My Life In The Bush Of Ghosts, is being reissued on vinyl. My Life In The Bush of Ghosts features Eno’s drum machine noodling merging with Byrne-fuelled weirdo disco, alongside found sounds and samples from Africa and the Middle East, including.

Recorded by Eno and Byrne in between their work on Talking Heads projects, the album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. The album has since been called a "pioneering work for countless styles connected to electronics, ambience and Thir. iscover more music, concerts, videos, and pictures with the largest catalogue online at Last.

Eno and Byrne first worked together on More Songs About Buildings and Food, the 1978 album by Byrne's band Talking Heads My Life was primarily recorded during a break between touring for Fear of Music 1979 and the recording of Remain in Light 1980, subsequent Talking Heads albums also produced by Eno, but the release was delayed while legal rights were sought. Fact Magazine: "The Essential Brian Eno - My Life in the Bush of Ghosts" Archived 2010-08-16 at the Wayback Machine. "Best Albums of the 1980s" Slant Magazine Retrieved 2012-03-25. a b Bush of Ghosts- Making Of Essay by David Byrne, 2005 Archived December 20, 2011, at the Wayback Machine. Brian Eno and David Byrne, My Life in the Bush of Ghosts guardiancouk Arts.

Comments:

Trash
I am amazed at how well this recording sounds in 2012. It was stolen from my collection in 1983. Have just re-purchased. If this record had been released yesterday, I would be first in the queue to buy. There are a lot of guitar riffs, bass lines and percussion that are 100% Talking Heads from the Remain in Light era. But the combination with the found samples lifts this way beyond a 1980s period piece. A triumph of sampling from before samplers were invented. The lack of artist vocal from Byrne and Eno, and a focus on presenting the original sample with repetition that is supported by the rhythm of the backing instrumentation is key to making this work. Makes Moby sound lame.

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