|A1||Mack The Knife||4:30|
|A3||Dancing In The Sun||3:24|
|B3||A Walk In The Black Forest||3:32|
|B4||The Maigret Theme||2:16|
|B5||Man Of Mystery||2:58|
|64 14 307||Norman Newell||Norman Newell Presenta Acordeones En Stereo (LP)||Philips||64 14 307||Spain||1972|
Norman Newell OBE (25 January 1919 – 1 December 2004) was a Golden Globe award winning English record producer, mainly active in the 1950s and 1960s, as well as co-writer of many notable songs. As an A&R manager for EMI he worked with musicians such as Shirley Bassey, Dalida, Claude François, Vera Lynn, Russ Conway, Bette Midler, Judy Garland, Petula Clark, Jake Thackray, Malcolm Roberts, Bobby Crush and Peter and Gordon. Newell was particularly known for his recorded productions of West End musicals.
Discover all Norman Newell's music connections, watch videos, listen to music, discuss and download. Tracks that Sampled Norman Newell (23). Covers by Norman Newell (50). Covers of Norman Newell Songs (2). Sort: Most Popular.
Norman Newell was one of the British music industry's top record producers. He did much to shape the nature of middle-of-the-road music, making hit records with Shirley Bassey, Russ Conway and Manuel and his Music of the Mountains, producing Marlene Dietrich and Judy Garland, and wrote the lyrics for several standards including "Portrait of My Love" and "More". Norman always wanted to be a Stephen Sondheim," says George Martin, "but his main strength came from his ability to handle big showbiz entertainers.
Track 9 from the 1972 album by the Norman Newell Orchestra, "The Onedin Line And Other Wonderful Themes". The music has been posted here solely for listening enjoyment. Excellent version by Norman Newell, perhaps the best arrangement he did among all the other arrangements he did in his career. The two best version of this song that i like best, is this one by Norman Newell, and the one by John Gregory, perhaps by a nose i like this version just a tiny bit better over the one by John Gregory, perhaps because of that arrangement at the beginning and at the end that Norman Newell creates on this song that fit.
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