|A||Too Through (Vocal)|
|B1||Too Through (Instrumental)|
|B2||Too Through (Short Version)|
|BC4011||Bad Girls||Too Through (12")||BC Records||BC4011||US||1981|
|BC4011-45||Bad Girls||Too Through (7")||BC Records||BC4011-45||US||1981|
ay) Bad girls need love too Bad bad bad girls need love too (ay) Bad girls need love too Bad bad girls need love too Bad girls need love too Bad bad bad girls need love too (uh) Bad girls need love too Bad bad girls need love too. Yeah she a bad girl And she know it but She know how to work it (ay) She a bad girl And she know it but I love when she twerk it (ay) She a bad girl And she know it but She call me a jerk and (ay) Bring to her back to the crib man You know she start. right She say she ain't felt this before Doing freaky shit Start in the bed End up on the kitchen floor Something bout this dough Make girls come round Man it's mystical Losing her self in me She drowning In kisses tho After this She feeling bliss Roll over split A swisher quick Roll it up and Flick the bic Now.
Bad girls Talking about the sad girls, yeah Sad girls Talking about bad girls, yeah. Friday night and the strip is hot Sun's gone down and they're out to trot Spirit's high and legs look hot Do you wanna get down Now don't you ask yourself who they are Like everybody else, they wanna be a star. Bad girl Sad girl, you're such a naughty bad girl Beep-Beep, uh-uh You bad girl you sad girl Your such a dirty bad girl Beep-Beep, uh-uh.
Bad Girls marked the high-water mark in Donna Summer's career, spending six weeks at Number One, going double platinum, and spinning off four Top 40 singles, including the chart-topping title song and "Hot Stuff," which sold two million copies each, and the million-selling, Number Two hit "Dim All the Lights. Producers Giorgio Moroder and Pete Bellotte recognized that disco was going in different directions by the late '70s, and they gave the leadoff one-two punch of "Hot Stuff" and "Bad Girls" a rock edge derived from new wave. Though remembered for its hits, the album had depth and consistency, concluding with "Sunset People," one of Summer's best album-only tracks. The result was the artistic and commercial peak of her career and, arguably, of disco itself.